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For hybrid print jobs, Schreiner Group saves time and eliminates errors with Esko's CombiPress workflow software.
August 12, 2013
By: Steve Katz
Associate Editor
Labels often demand a wide variety of print effects. To help out, label printers often use hybrid presses and combination presses (combi-presses) that combine two or more printing techniques – offset, digital, flexo, gravure or flexo printing – in a single machine. Hybrid printing occurs a lot, especially with the growth of digital print. In fact, today, 70 to 80% of all narrow web printing machines are hybrid presses, combining more than one printing technique in a single pass. It is very common for certain applications: • Prime labels: coatings (flexo or gravure), special tactile effects (screen printing) • Security cards (combination of offset and silkscreen) • Luxury, beauty, health care and cosmetics (folding cartons with coatings, varnishes and special finishes) • Combination of digital and conventional presses (variable printing applications for labels and folding cartons) For example, cosmetics packaging requires exceptional printing and finishing quality. Intense colors and extravagant effects are created by combining different printing methods. Combi-presses enable printing to occur in a single pass, rather than sending a job through a number of presses. Another example is body care product packaging, where quality specifications and brand requirements frequently change. The products are often laminated or upgraded with hot and/or cold foil. Combi-presses support inline laminating of metalized foils which opens up a potential for huge reduction in material cost, waste and time to market. Most packaging jobs still require at least one spot color, representing the brand. With the availability of combi-presses, a converter can print CMYK in high definition flexo and getting the most out of detail and four-color images, while printing the brand colors, inline, with a screen press units. While this certainly makes things easier in the pressroom, the challenge is that it makes efforts more complicated in the prepress department. Until recently, a workflow for a print job that required the combination of different printing techniques could not be automated. The print techniques just required too many different settings for the same variables. Think of different RIP settings, different dot gains, compensation curves, different trapping, and other variables. This means that these workflows always were interrupted by a skilled operator who had to reroute decisions for given sets of separations. Then the operator had to re-launch (and manage) a number of different workflows, automated or manual, to ensure output of the different image channels for the different processes.
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